****/**** Image A Sound A Extras C+
starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Samuel L. Jackson
written and directed by Quentin Tarantino
by Walter Chaw If Inglourious Basterds was an
ambiguous, brilliant indictment of "Jewish vengeance" wrapped in this
impossibly canny exploration of violence through screenwriting, performance,
and love of film, think of Quentin Tarantino's follow-up, Django Unchained, as a glorious continuation of what has become a singular artist's evolving
theme. It demonstrates an absolute command of the medium, of what film can do
when tasked to do more than usual, and it does it by
being some of the finest film criticism of the year. If the
Coens are our best literary critics, then Tarantino is our best film critic cum
sociologist, and his topics, again, are how we understand history through
specific prisms and how violence can be both catharsis and atrocity--often
in the same breath and almost always in the same ways. Consider that this difficult film's most difficult moment comes, as it does in Inglourious Basterds, at the very end, in an unbearably ugly act of violence perpetrated against not the expected slave-owner
antagonist, Candie (Leonardo DiCaprio), but his manservant Stephen/Stepin
(Samuel L. Jackson). Consider, too, the idea that vengeance--particularly in
our post-9/11 environment--is the proverbial tiger we've caught by the tail:
our cultural legacy that we try to justify through any means, given that our
ends are so very righteous.
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