Image A- Sound A Extras B-
"Pilot," "Yesterday Once More," "Whispered Secrets," "The Racket," "He in Racist Fire," "Cyclone," "The King and I," "E.A.B.," "Rock and Roll Queen," "Alibi"
by Bill Chambers A feeling of déjà vu pervades HBO's "Vinyl", and not just because it's so prototypical of the network's taste in weekly dramas. The first--and simultaneously last--ten episodes are a somewhat hellish loop of stylistic motifs, crutches, and tics. Refrains are a musical conceit, and this is a show about the record industry, so maybe there's a thematic defense for the repetition. But with all the imbibing that goes on on screen, "Vinyl"'s periodicities (running out of synonyms!) begin to make most sense as cues to take a shot. This review should provide all the drinking prompts you need while also serving as a post-mortem for the series, which got cancelled just as I sat down to write about it.1 At the risk of beating a dead horse, here's what went wrong--and, occasionally, right--with "Vinyl".